All the oil paintings of REMBRANDT Harmenszoon van Rijn

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ID	Image	Painting(From A to Z)	Details
80618		The Incredulity of St Thomas	Date 1634(1634) Medium Oil on wood Dimensions Height: 53 cm (20.9 in). Width: 51 cm (20.1 in). cjr
8763		The Incredulity of St Thomas sg	1634 Oil on wood, 53 x 51 cm Pushkin Museum, Moscow
34543		The Jewish Bride	mk93 c.1662 Oil on canvas 47 7/8x65 1/2in Rijksmusem,Amsterdam
8808		The Jewish Bride (detail) dy	c. 1665 Oil on canvas Rijksmuseum, Amsterdam (on loan)
8807		The Jewish Bride t	c. 1665 Oil on canvas, 121,5 x 166,5 cm Rijksmuseum, Amsterdam (on loan)
34527		The Lamentation over the Dead Christ	mk93 c.1635 Oil on paper and canvas 12 1/2x10 1/2in National Gallery,London
92492		The lapidation of Saint Stephen	1625(1625) Medium oil on oak panel Dimensions 89.5 X 123.6 cm (35.2 X 48.7 in) cjr
39692		The Large Self-Portrait	mk150 1652 Signed and dated Canvas 112x81.5cm
93233		The laughing man	c. 1629-1630 Medium oil on copper Dimensions 15.3 x 12.2 cm (6 x 4.8 in) cjr
50240		The Man-of-War Brielle on the Maas near Rotterdam	mk210 1689 Canvas 130x197cm
34571		The Martyrdom of St.Stephen	mk93 1625 Oil on panel 89.5x123.6cm Lyons,Musee des Beaux-Arts de Lyon
8797		The Mennonite Minister Cornelis Claesz. Anslo in Conversation with his Wife, Aaltje D	1641 Oil on canvas, 176 x 210 cm Staatliche Museen, Berlin
87345		The Mennonite Preacher Anslo and his Wife	Date 1641(1641) Medium Oil on canvas Dimensions Height: 173.7 cm (68.4 in). Width: 207.6 cm (81.7 in). cjr
50244		The merry homecoming	mk210 1670-1679 canvas 68.5x99cm
34477		The Militia Company of Frans Banning Cocq,Known as The Night Watch	mk93 1642 Oil on canvas 143x172 3/8in
81566		The Mill	The Mill (1645/48, oil on canvas); National Gallery of Art, Washington DC cjr
92810		The Mill	1645-1648 Medium oil on canvas Dimensions Height: 87.6 cm (34.5 in). Width: 105.6 cm (41.6 in). cjr
60456		The Mill,	The Mill, 1648
8860		The Moneychanger (detail) dry	1627 Oil on wood, 32 x 42 cm (full picture) Staatliche Museen, Berlin
80623		The Music Party	Date 1626(1626) Medium Oil on wood Dimensions Height: 64 cm (25.2 in). Width: 48 cm (18.9 in). cjr
8861		The Music Party dhd	1626 Oil on wood Rijksmuseum, Amsterdam
50242		The Nieuwe Vismarkt,Amsterdam	mk210 about 1677 canvas 52x62cm
33705		The Night Watch	mk86 1642 Oil on canvas 363x437cm Amsterdam,Rjksmuseum
42708		The night watch	MK169 1642 Cloth 370x445cm
21738		The Night Watch (mk08)	1642 Oil on canvas,363x437cm Amsterdam,Rijksmuseum
21741		The Night Watch (mk08)	1642 Oil on canvas,363x437cm Amsterdam,Rijksmuseum
60432		The Night Watch or The Militia Company of Captain Frans Banning Cocq	The Night Watch or The Militia Company of Captain Frans Banning Cocq, 1642. Oil on canvas; on display at the Rijksmuseum, Amsterdam
24532		The Nightmatch (mk33)	1642 Amsterdam,Rijksmuseum
8800		The Nightwatch	1642 Oil on canvas, 363 x 437 cm Rijksmuseum, Amsterdam
8801		The Nightwatch (detail)	1642 Oil on canvas Rijksmuseum, Amsterdam
8802		The Nightwatch (detail) HG	1642 Oil on canvas Rijksmuseum, Amsterdam
24548		The Nightwmatch (mk33)	1642 Amsterdam,Rijksmuseum
24551		The oath of the Batavians under Claudius civilis (mk33)	1661 Stockholm,Nationalmuseum
50249		The Omval	mk210 1645 18.6x22.6cm
50237		The Overturned Bouquet	mk210 About 1660-1679
29163		The Parable of the Laborers in the Vineard	mk65 1637 Oil on panel 12x16 1/2"
34507		The Parable of the Labourers in the Vineyard	mk93 1637 Oil on panel 12 1/5x16 1/2in Hermitage,St Petersburg
34583		The Parable of The Labourers in the vineyard	mk93 Oil on wood reinforced 31x41cm
60444		The Philosopher in Meditation,	The Philosopher in Meditation, 1632
34457		The Polish Nobleman or Man in Exotic Dress	mk93 1637 Oil on panel 381/8x26in National Gallery of Art.Washington,D.C.
8862		The Polish Rider	1655 Oil on canvas, 114,9 x 135 cm Frick Collection, New York
34506		The Polish Rider	mk93 c.1657 Oil on canvas 46x53 1/8in
38198		The Polish Rider	mk29 c.1655 Oil on canvas 116.8x134.9cm
60433		The Polish Rider A Lisowczyk on horseback.	The Polish Rider - A Lisowczyk on horseback. The subject of much discussion. It is possible that the person depicted was Grand Chancellor of Lithuania, Marcjan Aleksander Ogi??ski (1632-1690)
24570		The Polish rider (mk33)	New York
34561		The Presentation of Jesus in the Temple	mk93 1631 Oil on panel 60.9x47.8cm The Hague,Mauritshuis
34572		The Presentation of Jesus in the Temple	mk93 c.1627/28 Oil on panel 55.4x43.7cm Hamburg,Hamburger Kunsthalle
34577		The Prophet Jeremiab Mourning over the Destruction of Jerusalem	mk93 1630 Oil on panel 58.3x46.6cm Amsterdam,Rijksmuseum
24667		The Prophetess Hannab (mk33)	1631 Panel. Amsterdam,Rijksmuseum
8777		The Raising of Lazarus	c. 1630 Oil on panel, 96.2 x 81.5 cm Los Angeles County Museum of Art, Los Angeles
34417		The Raising of Lazarus	mk93 c.1630-31 Oil on panel 38x32in County Museum of Art Los Angeles
34418		The Raising of Lazarus	mk93 1631 Oil on canvas 40 1/2x44in Brighton Museum and Art Gallery England
34580		The Raising of Lazarus	mk93 c.1630/31 Oil on panel 96.2x81.5cm Los Angeles,County Museum of Art
50261		The Raising of Lazarus The Large Plate	mk210 c.1632 36.6x25.8cm
34421		The Raising of the Cross	mk93 c.1633 Oil on canvas 37 7/8x28 5/8in Alte Pinakothek Munich
34562		The Raising of the Cross	mk93 c.1633 Oil on canvas 95.7x72.2cm Munich,Bayerische Staatsgemalde sammlungen
24587		The Raising of the Cross (mk33)	C.1633 Canvas,arched 95.7x72.2cm Munich,Bayerische Statsgemaldesammlungen,Alte Pinakothek
34434		The Rape of Europa	mk93 1632 Oil on panel 24 1/2x30 1/3in J.Paul Getty Museum,Malibu
24604		The rape of Ganymede (mk33)	1635 Canvas 177x129cm Signed and dated
50285		The Rat-Catcher	mk210 1632 14x12.5cm
24627		The Rest on the Flight into Egypt (mk33)	1647 Oak panel 34x48cm
34425		The Resurrection of Christ	mk93 c.1639 Oil on canvas on panel 36 3/8x27 1/8in Alte Pinakothek, Munich
34554		The Resurrection of Christ	mk93 c.1635-39 Oil on canvas on panel 91.9x67cm Munich,Bayerische Staatsgemalde sammlungen
34545		The Return of the Prodigal Son	mk93 c.1666/69 Oil on canvas 262x206cm St.Petersburg.Hermitage
8790		The Return of the Prodigal Son	c. 1669 Oil on canvas, 262 x 206 cm The Hermitage, St. Petersburg
34524		The Return of the Prodigal Son	mk93 c.1666-68 Oil on canvas 103 1/8x81 1/8in Hermitage,St Petersburg
34592		The Return of the Prodigal son	mk93 Hermitage Museum,St.Petersburg
40517		The Return of the Prodigal son	mk156 1668 Oil on canvas 262x205cm The State Hermitage Museum
41046		The Return of the Prodigal Son	mk159 Oil on canvas 262x205cm
60463		The Return of the Prodigal Son	The Return of the Prodigal Son, c. 1669
8791		The Return of the Prodigal Son (detail)	c. 1669 Oil on canvas The Hermitage, St. Petersburg
8792		The Return of the Prodigal Son (detail)	c. 1669 Oil on canvas The Hermitage, St. Petersburg
8794		The Return of the Prodigal Son (detail)	c. 1669 Oil on canvas The Hermitage, St. Petersburg
8795		The Return of the Prodigal Son (detail)	c. 1662 Oil on canvas The Hermitage, St. Petersburg
8793		The Return of the Prodigal Son (detail) ERY	c. 1669 Oil on canvas The Hermitage, St. Petersburg
8762		The Risen Christ Appearing to Mary Magdalen st	1638 Oil on wood, 61 x 49,5 cm Royal Collection, Buckingham Palace, London
60455		The Risen Christ Appearing to Mary Magdalen,	The Risen Christ Appearing to Mary Magdalen, 1638
34520		The Risen Christ Appearing to Mary Magdalene	mk93 1638 Oil on panel 24x19 1/2in
34519		The Risen Christ at Emmaus	mk93 1648 Oil on panel 26 3/4x25 5/8in Louvre,Paris.
8781		The Sacrifice of Abraham	1635 Oil on canvas, 193 x 133 cm The Hermitage, St. Petersburg
34459		The Sacrifice of Isaac	mk93 1635 Oil on canvas 76 1/5x52 1/4in Hermitage,St.Petersburg
24540		The Sampling Officials of the Amsterdam Drapers' Guild (mk33)	1662 Canvas, 191.5x279cm Signed,on the table carpet, in the centre 1662 and,probably by a later hand,top right,on ther wall,
24009		The Shipbuilder and his Wife (mk25)	1633
34443		The Shipbuilder Jan Rijksen and His Wife Griet Jans	mk93 1633 Oil on canvas 45x66 1/2in
21745		The Slaughterd Ox (mk08)	1655 Oil on Panel, 94x67cm Paris,Musee National du Louvre
33708		The Slaughtered Ox	mk86 1665 Oil on panel 94x67cm Paris,Musee National du Louvre
34557		The So called Polish Rider	mk93 c.1655 Oil on canvas 116.8x134.9cm New York
24608		The Standard-earer (mk33)	1636 Canvas 118.8x96.8cm Signed and dated
34480		The Staughtered Ox	mk93 Oil on panel 28 7/8x20 3/8in Glasgow Art Gallery and Museum
90980		The Stoning of saint Stephen	oil on canvas, 89 x 123 cm, Fine Arts Museum, Lyon. Date 1625(1625) cyf
34412		The Supper at Emmaus	mk93 c.1628 Paper on panel 14 3/4x16 5/8in Musee Jacquemart-Andre Paris
20510		The Supper at Emmaus (mk05)	1648 Wood 27 x 25 1/2 ''(68 x 65 cm)Acquired in 1777
34542		The Syndics	mk93 1661-62 Oil on canvas 75 3/8x109 7/8in Rijksmuseum,Amsterdam
21748		The Syndics of the Amsterdam Clothmakers'Guild (mk08)	1662 Oil on canvas, 191.5x279cm Amsterdam,Rijksmuseum
60461		The Syndics of the Clothmakers Guild,	The Syndics of the Clothmakers' Guild, 1662
50243		The tailor-s Workship	mk210 1661 canvas 66x53cm
42711		The three crosses	MK169 ca. 1660 State iv. Dry needle and etching on paper 38.4x45cm
42712		The three crosses	MK169 detail of State III MK169 1653 British Museum Rewarded
63956		The Three Crosses	1653 Drypoint and burin printed on vellum, 381 x 438 mm Metropolitan Museum of Art, New York Rembrandt's romance with drypoint in the 1650s and 1660s is one of the important milestones in the history of printmaking. His inventiveness in this medium led to the creation of compositions that offered more complex visual information and variety of drama than previously had been imagined, and whereas earlier intaglio prints had been translucent and in general rather bodiless, Rembrandt's had a structure and richness of surface that approximate many of his great oil paintings. Moreover, they are illumined by an expressive power that never fails to pierce to the heart of things, whether the subject be, as it is here, a momentous scene from Scripture or the simplest study of still life. , Artist: REMBRANDT Harmenszoon van Rijn , The Three Crosses (second state) , 1601-1650 , Dutch , graphics , religious
50257		The Triumph of Mordercai	mk210 c.1641 17.5x21.5cm

REMBRANDT Harmenszoon van Rijn
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.